I currently work full-time as an assistant for visual effects company, using the post-production software DaVinci Resolve and Nuke Studio to conform multiple artists’ work and deliver to clients and agency. Also includes producing daily WIPs and monitoring QC. Projects include feature film, TVC and online work.
Credits from Alt;
TVC / Online Commercials;
Netflix - Queer Eye “Yass, Australia!”: 20m (2018)
Woolmark - Born to Breathe: 2m30s / 90s / 60s / 30s / 20s / 3x 6s (2018)
Budget Direct - It’s A Mystery: 2m30s / 60s (2018)
AFTRS - Untold, 60s / 30s (2018)
eBay - Shane Warne: 9x 30s / 9x 15s (2018)
Deakin University - Young: 5x 15s (2018)
Aldi - Santa; 6x 6s / 9x 15s / 1x 30s / 1x 45s / 1x 60s / 1x 90s (2018)
At the beginning of 2017, I was fortunate enough to spend some time working at Channel 7 as a broadcast graphic designer, helping to push out graphics for their live-to-air news programming. I primarily worked on Sunrise and The Morning Show, two of the channels most popular shows.
The work in this reel includes segment openers or newsreel graphics where I was both the motion graphic designer executing the final delivery of the project and the creative lead determining the aesthetic of the design.
While studying my Bachelor in Film Production, I sought out opportunities to practice my video editing and motion graphics skills. These are video editing projects from those studies where I was either lead of the post-production process or the sole editor on the project.
From 2015 to 2016 I worked full-time as a junior graphic designer for Generic Publications, the internal agency for Harvey Norman's print, web and catalog advertising. My main role was on the Ireland team as an international client, helping them build their brand in a new region.
In 2016 I operated as lead or co-lead artist on several catalogues and print briefs.
In 2014 and 2015, I studied Communication Design at the Billy Blue College of Design, a comprehensive graphic design course with a focus on print and digital.
Included here is some of my strongest design and illustration work from student assessments I completed during my studies.
For almost a year, I volunteered as a Graphic Design Assistant for SMASH! Sydney Manga and Anime Expo, the largest Japanese pop culture convention in Sydney.
My primary duties were editing together trailers for television and cinema broadcast, designing motion graphics, and designing a 12-page Info Pack for soliciting sponsorships.